Issue 4: Eureka

Published 26 March 2009 (Archived)

Johannes Itten, On contrast

by Lars A. Bratteberg

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The research of Johannes Itten is important and should be understood by design practitioners who wish to employ contrast of colour to evoke a desired reaction in their design’s onlooker.
Colour is one of the elements of design; “[it] can make designs more visually interesting and aesthetic, and can reinforce the organization and meaning of elements in a design” (Lidwell, Holden, Butler, 2003). One of the more effective ways to use colour as an element is through exercising contrast. When in design, contrast illustrates an element in opposition. This essay will examine how the research and teachings of Johannes Itten aids practitioners to consciously make use of contrast in design. The examination will progress through looking at Itten’s seven contrasts.

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The Brain as a System and the Creative Tool PO

by Asgeir Hoem

The research of Dr. Edward de Bono is important and should be understood by design practitioners who want to improve their ability to generate creative ideas in a design situation. While education traditionally has focused on literacy and maths, the ability to think effectively—in this case, generate ideas—has been forgotten and neglected. Creativity is a vague term, and is commonly regarded a gift or a talent that can not be learnt. As designers, we rely on the ability to create something out of nothing, and originality is valuable—if not necessary. Designers use a variety of tactics in order to produce good ideas, but few of these are rooted in science and an understanding of how the brain functions. The problem might be that designers are unaware that such ideas and techniques exist. It might also be based on misconceptions about what creativity is. By studying de Bono’s work one can learn how to use the brain more efficiently and—ultimately—become more able to produce a higher number of ideas in a design environment. The following text will explain how the brain organises itself, how it is a system that has to be beat in order to generate creative ideas and how it can be done. Simplicity as a value will also be discussed.

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Shepard Fairley Sued Over Obama Poster

by Asgeir Hoem

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It was been called “the most efficacious American political illustration since ‘Uncle Sam Wants You’” by the New York Times. It also got the designer sued by the world’s largest news gathering organisation, Associated Press.

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by Lars A. Bratteberg

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The theory of going about problem solving using unrelated stimuli: I am Creativity (And so Can You!)

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Sir Ken Robinson on Creativity in Schools

by Asgeir Hoem

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A great talk from Sir Ken Robinson on creativity’s position in schools, as mentioned in this week’s essay The Brain as a System and the Creative Tool PO. Robinson argues that we do not grow into creativity; we are educated out of it. It is well worth the 20 minutes!

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